Lessons in Interior Décor from Pride and Prejudice

Whenever I scroll through my Instagram feed, or flick through one of the many glossy magazines I buy at train stations before a journey, I’m met with dozens of beautiful images of interiors and no matter what style it is, they all share something in common: the rooms are full of things. Beautiful things that make up beautiful ensembles, that’s for sure, but I often feel that, in 2017, we are now in an age that is crying for more minimalism.
Myself, and I’m sure many others, are a bit wary of that word, because it conjures images of black geometric blocks, glass coffee table and the stereotypical bachelor pad like that of Harvey Specter in Suits. It doesn’t have to be like that: the key feature of minimalism is that is reduces decoration to what is really necessary. In an age where we have the compulsion to buy more and more objects to turn a house into our home, reducing what we have to a few things really worth seeing (statement pieces, if you like) is quite counter-cultural. It is also, according to the growing number of people embracing movements for more ethical shopping habits, our only way forward if we want to take good care of the environment (as well as our fellow human beings.)

Being one of these people, I take great inspiration from a time when this wave of consumerism was only just starting, whether it is from historical houses or recreated ones, like the sets of the adaptation of Jane Austen’s novels. The Wright version of Pride and Prejudice with Keira Knightly is, in my opinion, underrated, although understandably given it’s fighting its corner against the famous BBC miniseries with a wet-white-shirted Colin Firth, but one of the features of the film is precisely the quality of the interiors and the way they play into the general depictions of the characters.

The first interior that we see is the house of the Bennett family. It’s the house of a gentleman, although not a gentleman of means (not an irrelevant distinction, as gentility is seen in the novel as a quality of the person that money cannot buy), but it’s spacious and decorated with the kind of objects that started to appear in the 18th century from other parts of the British Empire, shown in English drawing rooms as a status symbols (for example China vases). There was a whole industry creating such pieces for the less affluent in English factories, now valuable antiques in their own right. The fragility of these objects meant they could only be used on surfaces that were not working surfaces so, despite the scarcity of objects to our modern eyes, the home of the Bennetts shows us we can have elegance and a sense of richness even with owning less. The striking blue of some of the walls add to this impression: a white wall would make the natural light even more prominent, but would create a sense of bareness in the least decorated rooms. Blue is also a colour associated with calm and elegance.

The second interior we see is Netherfields. It’s all in shades of white, grey and brown; the natural colours of marbles. The small dining room in which we find Miss Bingley and Mr. Darcy is almost lacking in decoration, with the neo-classical columns being the focus. Something that is even further away from our modern sensibilities is the lack of textiles. Most of our homes are soft on our feet with lots of carpets, and we have blankets and cushions to make our couches (themselves in models that are more comfortable than the wooden frames of the Regency period) cosier. Textiles, however, are more high maintenance than the highly decorated marble floor of the ballroom, which is a stunning piece of work. This elegant simplicity can inspire us to find an agreeable modern version for our own house, like coloured tiles or mix-and-match patterned wooden floors, which would add character to a room without adding to our already long list of day to day responsibilities the way textiles do. They are also great for people with a dust allergy, as they don’t trap dust like carpets do.

One of the biggest lessons I’ve learnt from Pride and Prejudice is how to tell the difference between elegant simplicity and bareness. This is something that really shows in the Parsonage. The only room that has attentive décor is the personal sitting room of the mistress. Everything else is as stern as you’d expect from the kind of clergyman (and man as a whole) that is the Rev. Mr. Collins. The choice of delicately decorated pastel green wallpapers, while too simple, makes the house still appear a comfortable and pleasant enough home with a feminine touch (very unlike Lady Catherine de Burgh, who is supposed to be the hand behind the finesse of the whole of Rosings Park). Wallpaper is also something less demanding of commitment than re-painting our walls, but which still allows us to create a colourful living space without cluttering it with paintings and pictures on every inch (and as a bonus, you can add pictures and paintings on top of your wallpaper if you have a spacious enough room). However, this becomes even more evident in the contrast between Rosings and Pemberley.

Rosings Park is the home of a titled widow with an imposing personality, and is shown to be dark and baroque. It is true that most scenes are taking place at night, but the massive Restoration frescoes in the Elizabethan original palace (Burghley House in Lincolnshire) appear darker than the other interiors in daylight too (like in the scene when Elizabeth is first introduced). Everything about Rosings is there to remind you that you just aren’t to the level of Lady Catherine. Contrast that with Pemberley, the real life seat of a duke (Chatsworth House in Derbyshire), despite the lack of title of Mr. Darcy. Everything about Pemberley is elegant open spaces, a lot of white marble and plenty of light. Darcy, unlike his aunt, embodies the kind of gentleman who would see nobility as an interior characteristic rather than an outward display of power and wealth, and such a view of himself is made clear by his objections to Elizabeth’s family while not objecting to her directly. To him, she possesses these inner qualities in spite of the inferiority of her situation. Pemberley seems to me to reflect exactly this about his personality: it’s an astonishing place, and there is a sense that this is an innate quality. It’s a thoughtful display of refined taste, rather than the consequence of filling it up with things to impress people to the point it becomes overwhelming in a negative way.

For all his faults, Jane Austen’s most famous romantic hero has a lot to teach us 200 years later, not only about matters of the heart, but also about matters of the home.

The American Country House

Throughout June, we have looked at country houses around the world: the iconic British, the traditional Italian, and the charming French styles.
Today, we leave Europe behind to explore another quintessential style: American. From Canada in the north to the pampas of the south, the rustic style over the pond has captured the imagination of generations through films and literature. Classics like Anne of Green Gables by Lucy Maud Montgomery and The House of the Spirits by Isabel Allende take place with the backdrop of a country house.

© 2016 Crown Copyright, The National Archives, Kew| C. E. & J. G. Potter, Lancashire, UK, 1856 |James Boswell, Dublin, Ireland, 1846 | Christopher Dresser for William Cooke, Leeds, UK, 1860 | C. E. & J. G. Potter, Lancashire, UK, 1856

5 Trends in Victorian Interiors

Queen Victoria, born on this day in 1819, has reigned over Britain and its empire for over 63 years. The most interesting feature about the time is that, unlike the period that precedes it, there is no such thing as a Victorian style. It was a period vibrant with experimentation, embracing new cultures and reviving historical styles (most famously gothic, but also rococo).

Flowers and plants for the home, for him and her

One of the conditions of modern life, especially in big cities, is the rise of the house-share. Just like a couple building a home together, these houses should be decorated in a way that makes everyone feel at home, and not like they are trespassing on someone else’s space all the time.Plants are the easy option to bring a bit of nature and freshness into the space. There are many plants that are low maintenance but still beautiful and stylish.


(c) Martha Stewart

5 favourites for the home in the colour of “natural optimism”

Twinings and Pantone have teamed up to create a colour that would give you an instant mood lift. As we near the end of Mental Health Awareness Week, we think it’s great to remind ourselves that even those who do not suffer from mental illnesses need to take care of their wellbeing (and at L&Y we are trying to be more intentional with our living), so we are really keen on this new colour. Also, blue is my own lifelong favourite colour, so I’m partial to it regardless. So, if you’re up for spending some money why don’t you take a look at our favourites for the home in this new colour (or close shades), and maybe donate something to a mental health charity while at that? 

Flowers and plants for the home – for her

Women seem to prefer round shapes and more delicate colours, with roses being the most popular flower, followed by lilies, freesias and tulips (according to Serenata Flowers). From observation of my Instagram feed, Blair Waldorf’s favourite, peonies, are also a very well loved flower, and a quintessentially feminine one. As for plants, an absolute favourite of mine is fern: unlike tropical plants, which are tall and strong, ferns are soft and come in a variety of foliage, including some lovely exotic ones.

Hygge for the Summer

This past winter, this weirdly-pronounced word (it’s Danish) was all the rage in Britain. In our dark and cold nights, the idea of “a quality of cosiness and comfortable conviviality that engenders a feeling of contentment or wellbeing” just seemed the perfect antidote to feeling of bleakness worthy of a Dickens’ novel. However, hygge is about intentional living, not curling up on the couch with tea and a soft woollen blanket per se. As Britain approaches the season when it’s socially acceptable to host a barbeque no matter whether the sun is actually out, and sales of Pimm’s skyrocket, there is no need to be jealous of our Danish cousins across the sea: hygge for the summer is something most of us have already been doing, we just didn’t have a fancy word to make us feel like we were on trend.

The Fashion Revolution in Interior Design

If you are reading this blog, chances are you are interested in creating a more intentional lifestyle. Today (April 24th) marks the start of the Fashion Revolution week. Since the tragedy of the collapse of the Rana Plaza complex in 2013, activists have used the anniversary as a catalyst for their activities of change during the year, to create buzz around the subject and reach many people. Ethical fashion has been put on the agenda of most brands, thanks especially to celebrity endorsements and the fact that we tend to consume clothes more than any other products, but fashion revolution is, I believe, very relevant to interiors too. 

An introduction to Intentional Living

Intentional living is about taking conscious decisions so that more of our life is about what makes us happy. Many people use it as just a synonym for Minimalism, and in fact Joshua from The Minimalists makes the same “mistake” in their documentary (available on Netflix) when answering the frequent objection that people don’t want to get rid of collections they have because they are passionate about it. It’s, in a way, a justifiable “mistake”: in recent years, minimalism has become a mainstream word (I’m writing a book with that word in the title too). Talk about intentional living and people usually give you a blank stare. However, they are not the same.